Thursday, 9 April 2009

Oh Dearism

The highlight of last night’s Newswipe - Charlie Brooker’s rather weak British answer to the Daily Show in the US - was a brief video by Adam Curtis, the maker of such brilliant documentaries as The Century of the Self and The Power of Nightmares.

Curtis, in a typically bold narrative, argued that the hippy counterculture had changed the way we see global events, leading us to see situations like the famine in Ethiopia or the Kosovo War through the simplistic hippy framework of innocent and heroic individuals versus corrupt political systems.

The global ’solution’, in this hippy framework, is for direct aid that side-steps corrupt political frameworks - the Blue Peter aid project to Biafra in 1969 launched this, and Live Aid was the culmination of it.

But the simplistic vision broke down, he argued, during the Hutu / Tutsi wars of the 1990s - first the Tutsis were portrayed by the western media as the innocent heroes, but then the Tutsi massaces of Hutus, and the ensuing civil war, showed the story to be much more politically complex, with no obvious ‘goodies’ and ‘baddies’.

But the media can’t handle such complexity, so the result is we’re shown repeated images of evil and suffering, without any political framework in which to comprehend it. The end is ‘oh dearism’ - the attitude of a depressed hippy.

It really reminds me of the western world’s response (including my response at the time) to the 2004 Orange Revolution in Ukraine: kids in tents and good-looking rebel politicians standing up to corrupt political leaders, what’s not to like?

Then the Orange leaders spend the next five years arguing and fighting, and the country descends into a major economic crisis. Oh dear.

4 comments:

Peter Elliott said...

Comments were closed on the globaldashboard post, hence the message here.

I recently discovered that a promenade theatre production, created by Adam Curtis and featuring music composed by Damon Albarn and the Kronos Quartet, will feature at this year's Manchester International Festival:

'It Felt Like a Kiss tells the story of America’s rise to power in the golden age of pop, and the unforeseen consequences it had on the world and in our minds. Beginning in 1959, the show spotlights the dreams and desires that America inspired during the ’60s, when the world began to embrace the country and its culture as never before. But as this daring production unfolds across five floors, blending music with documentary and the disorientating whirl of a fairground ghost train, the audience is forced to face the dark forces that were veiled by the American dream – a dream that ultimately returns to haunt us all.'

In other words, quintessential Curtis.

I thought it might interest you anyway.

http://www.mif.co.uk/events/it-felt-like-a-kiss/

Jules Evans said...

Thanks Peter, Ill definitely try to see that.

Anonymous said...

"Charlie Brooker’s rather weak British answer to the Daily Show in the US"

This is wrong. Newswipe is a funny show about news, but that doesn't make it a Daily Show impersonation. It's a completely different animal.

Jules Evans said...

OK, but I bet when it was pitched, they said 'kind of like a British daily show' at some point during the conversation.

I think Charlie Brooker can be particularly funny, but mainly when he is dissing crass pop culture, rather than news-making, which lets face it is a narrower target to aim at. Hence he had to resort to taking the piss out of Fox News, like...John Stewart.